We are so excited to share this promo video we shot and edited for long time client, Embodiment Project. EP’s latest work, “Ancient Children”, is inspired by Shakti Butler‘s film “Healing Justice” about how restorative justice can disrupt the school to prison pipeline. Artistic Director, Nicole Klaymoon, and her dancer collaborators talk about how they brought forth their own stories and also embody those of others to make this powerful piece. “Ancient Children” previews throughout the west coast in the upcoming months and premieres at ODC in June 2018.
For its tenth anniversary season, Hope Mohr Dance responds to the current gentrification problem in the Bay Area with Precarious. A series, it began as a site specific work. It then re-framed and continued in a similar generative process, showing at CounterPulse with a walking tour and Mohr’s signature intense and tactile thematic exploration. Check out this highlight edit!
Choreography: Hope Mohr in collaboration with performers
Sound Design: Theodore J.H. Hulsker
Lighting Design: Gabe Maxson
Video Design: David Szlasa
Costume Design: Tegan Schwab
Here’s an example of how we can create an inspirational promotional film utilizing new and existing footage to motivate donors/potential donors. This was shown at Alonzo King LINES Ballet’s annual Gala event and then was repurposed to live on the fundraising/donation section of their website:
LRP loves LINES!
Leading UK disabled artist Claire Cunningham and international choreographer and performer Jess Curtis‘ “The Way You Look (At Me) Tonight” grapples with questions of how we perceive each other and the world around us. With dancing, singing, story telling, music, and video, this work is a living, philosophical and sensorial audience-engaged experience. Performed at CounterPulse.
Here’s an example of how we used a full show 2-camera edit to make both a quick sizzle reel and also a more in depth 5min. highlight edit for promotional and portfolio purposes:
Philosophical consultation by Alva Noe
Video by Yoann Trellu
Music by Mathias Herrmann
FAITH MATERIAL: ACTIVISM performed at CounterPulse, is a body- and object-based performance about the urgent importance of believing in things that cannot be proven. The work utilizes physical practices of mediumship, ontological re-animation of objects, and full expression of faith to present a number of intimate domestic scenes of queer solitude-turned-futurism.
Jesse Hewit‘s work is clearly influenced by Haraway’s “new materialism” politics, by the queer re-imagining/survival project of Pee Wee’s Playhouse, and by the creative faith-practices of artist/priest Amara Tabor-Smith, poet/theologian Marvin K. White, and artist/healer Sara Shelton Mann.
We’re excited about this promo video we crafted for the Alonzo King LINES Ballet summer program. This top notch training program not only offers students the opportunity to study and perform with master teachers and choreographers, but it also asks the pupil to explore oneself, body, mind, and spirit and honors every person’s unique individuality. Watch these young dancers meet themselves, then take off and fly.
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Loren R. Robertson
Owner & Operator
Videographer, Video Editor
San Francisco/San Diego